“…chasing pop into the dark…”
After giving this album repeated listens over the past week, I can find no better way to describe Too True than from the creative mind behind it, Dee Dee Penny.
(Read the full post by Dee Dee via Sub Pop Records, HERE. I have omitted around 25% of her post.)
“End of Daze had for me signaled exactly that; an end to a part of my life that was confused, difficult, disastrous, and at times, redemptive.
In the summer of 2012, between tours supporting End of Daze, I locked out the world and sat down in my apartment to write a new record — clear view of the New York City sky through iron bars like a promise. Like all compulsive minds, I was waiting with bated breath (“and whispering humbleness”) to let the muse loose.
I’ve always lived an introspective life, but it is these rare moments of actively stepping outside my head, to create things tangible to others, that I find truly transcendent. Performing live offers the same rush to me, but it’s an even more elusive, haunting ghost.
I had collected various songs and half-songs over the previous months, vaguely regarding them as future releases, but had the nagging feeling they were to be tossed out on the hunt for the next sound, the next record, which was at that point almost palpable.
And so I spent the next week in a sparkling haze, seven stories closer to Heaven, and when I emerged from the frenzy to go back on tour, indeed ten new songs came with. They were bound together, not just by an overall sonic palette and new guitar pedal, but by time, intention, and fervor.
Do you hear Suede? Siouxie? Cold-wave Patti? Madonna? Cure? Velvet and Paisley Undergrounds? Stone Roses? Cuz I did.
A month later I ran away to Hollywood, and again locked myself up, and two more songs were born from drunken loneliness in room at the Chateau Marmont — points if you can discern which ones.
Unfortunately, karma take it or leave it, I had to confront the reality that my voice was destroyed; that the previous year of touring had reduced my once infallible instrument to a pale spectre of its former self. I was broken and when I left California, it was with the heavy burden of an unfinished album.
Truly one of those disguised blessings though – the extra time was a gift. What initially felt like a retreat became a reawakening. These songs weren’t done at all! And so I worshipped at the tall pile of books I’d bought in Los Angeles, on topics and imagery I’d been consumed by and words that had resonated so deeply with me they felt like artistic collaborators: Rainer Maria Rilke, Anais Nin, Arthur Rimbaud, Paul Verlaine, Charles Baudelaire, Sylvia Plath; the punk poet singers Patti Smith and Lou Reed (who, like many I consider to be my spiritual parents); and finally, an admittedly unhealthy obsession with the Surrealists’ manifesto of desire.
Here it was spelled out for me: Desire as muse; Life as experiment; a miracle for every failure and vice-versa. I put pen to paper and I wrote, and then I sang. I sang into my own private microphone, in my tiny bedroom studio, with no one save my make-believe coconspirators to hear me, and no one to weight me with the looming pressure of inability. I was a woman possessed and my possession enabled me.
I write this now, many months later, on the up. I have served the songs and the songs have served me. It is never pretentious to feel and create. So much of my life has been defined, aided, and even saved by music. Here is my best attempt at joining the rock’n’roll ranks, of chasing pop into the dark, and I am as ever, humbled that you listen.” -Dee Dee Penny
Too True is released: January 28, 2014. Pre-order the LP, CD or T-shirt via Sup Pop Records, HERE.
Check out the 1st music video from Too True below.
I’ve picked around 40 tracks to share with you that are a mix of some of my favorite songs from 2013 & songs picked from my 50 favorite albums. I’m going to break them down into 4 separate playlists sorted by genre.
Keep checking back as I will update this post to include all 4 playlists over the next few days. Enjoy!
**Updated with all 4 playlists 12-21-13
HPSTRFLS 2013 playlist #1: Hip hop & R&B
1 Numbers on the Boards – PUSHA T (00:00)
2 Enemy – KELELA (02:44)
3 25 Bucks (featuring Purity Ring) – DANNY BROWN (07:01)
4 The Things You Do – ZOMBY (10:32)
5 New Slaves – KANYE WEST (12:04)
6 Banana Clipper (featuring Big Boi) – RUN THE JEWELS (16:20)
7 Days (featuring Romy Croft from The XX) – CREEP (19:12)
8 All That Matters – GIRAFFAGE (22:48)
9 Too Much (featuring Sampha) – DRAKE (26:50)
10 Killing Time – Oddisee (31:12)
11 Last Dance – RHYE (34:58)
Total length (38:16)
HPSTRFLS 2013 playlist #2: Electronic/Experimental
1 Irby Tremor – FOREST SWORDS (00:00)
2 Chrome Country – ONEOHTRIX POINT NEVER (04:12)
3 Look Into Your Own Mind – JULIANNA BARWICK (09:42)
4 Cold Earth – BOARDS OF CANANDA (14:16)
5 Bo Peep (Do U Right)[featuring Jeremih] – SHLOHMO (17:59)
6 A Sky Darkly – SOLAR BEARS (21:49)
7 Know You – BONOBO (24:57)
8 Casino Lisboa – DIRTY BEACHES (29:02)
9 Renata – JAMES HOLDEN (32:49)
10 Get Like It – TORA (38:46)
11 Out of Hand – SHLOHMO (40:55)
12 Ritual Howl – SHIGETO (45:22)
13 The Drop – THE HAXAN CLOAK (49:47)
Total length (1:02:38)
HPSTRFLS 2013 playlist #3: Pop/Electronic dance
1 You’re Not the One – SKY FERREIRA (00:00)
2 Water Me – FKA TWIGS (03:58)
3 Cherry – CHROMATICS (07:23)
4 Retrograde – JAMES BLAKE (11:55)
5 Bring the Noise – M.I.A. (15:39)
6 Full of Fire – THE KNIFE (20:14)
7 Plastic Panorama – POSTILJONEN (29:31)
8 Hannah Hunt – VAMPIRE WEEKEND (32:56)
9 Jeremiah – EJECTA (36:54)
10 Painful Like - AUSTRA (40:28)
11 Very Cruel – POLICA (44:28)
Total length (49:06)
HPSTRFLS 2013 playlist #4: Folk/Singer-songwriter/Rock
1 Song For Zula – PHOSPHORESCENT (00:00)
2 Jubilee Street – NICK CAVE & THE BAD SEEDS (06:11)
3 New Blue Feeling – WHITE DENIM (12:47)
4 Cold Forgiver – HA HA TONKA (16:06)
5 When Winter’s Over – TORRES (19:47)
6 Mater Hunter – LAURA MARLING (23:17)
7 Somewhere All the Time – SAMANTHA CRAIN (26:33)
8 Colorful Kids – HA HA TONKA (28:56)
9 Vital – GROUPER (33:06)
10 Churchill – SAMANTHA CRAIN (37:20)
Total length (41:14)
2013 was another great year for music. There was the return of My Bloody Valentine for their 1st album in 20 years, Trent Reznor got NIN back in the studio to put out a new album, & Boards of Canada returned to release their 4th LP. So many great albums, I’d like to share with you my 50 favorite releases for 2013. (Dec ’12 – Nov ’13)
Check back soon for a post of my favorite songs of the year & a sampler from my top 50 albums.
1 THE KNIFE - Shaking the Habitual
14 DANNY BROWN - Old
15 CFCF - Outside
26 ROLY PORTER - Life Cycle of a Massive Star
27 HA HA TONKA - Lessons
28 VAMPIRE WEEKEND - Modern Vampires of the City
29 JAMES BLAKE - Overgrown
30 GIRAFFAGE - Needs
31 SOFT METALS - Lenses
32 SAVAGES - Silence Yourself
33 DRAKE - Nothing Was the Same
34 MOUNT KIMBIE - Cold Spring Fault Less Youth
35 POSTILJONEN - Skyer
36 SHLOHMO - Bad Vibes
37 THUNDERCAT - Apocalypse
38 ZOMBY - With Love
39 SKY FERREIRA - Night Time, My Time
40 KING KRULE - 6 Feet Beneath the Moon
41 GLASSER - Interiors
42 RHYE - Woman
43 CREEP - Echoes
44 FOXYGEN - We Are the 21st Century Ambassadors of Peace & Magic
45 ICEAGE - You’re Nothing
46 TORRES - Torres
47 SHIGETO - No Better Time Than Now
48 KELELA - Cut 4 Me
49 THE NATIONAL - Trouble Will Find Me
50 WASHED OUT - Paracosm
Feel free to post your favorites or albums you think I missed in the comments. Thank you for following my listening habbits. -Cooper
Ever since I can remember I have been big fan of horror films. I was a kid in the 80′s when slasher films were at an all time high. Success of Halloween, Friday the 13th, & others had every Hollywood studio cranking out slasher films. These films over the years have remained some of my favorites. Over time I have watch many others that I may have missed as a youngster. Today, on Friday the 13th, I’d like to share some of my favorites & some other obscure slasher films you may want to check out. Hope you enjoy! (Click on any of the movie pics below to take you to it’s IMDB page.)
Lets start with the film I believe really kick started the slasher genre & one of my favorites:
Directed by the great Alfred Hitchcock, this was one of the 1st films to kill off one of the lead characters early in the film. Hitchcock made many great films in his lifetime, but this still stands as one my all time favorites.
If you like Psycho, you should try:
Peeping Tom (1960)
If this would not have been released in the same year I’d say it was almost a rip-off of Psycho. There isn’t any Bates Motel, but this film from the UK is part of the Criterion Collection. So, I’m not the only one who enjoyed it. Feel like someone is watching you?
A favorite of mine that helped things get just a bit stranger:
The Texas Chain Saw Massacre (1974)
Toby Hooper directed this memorable slasher gem. I’m not sure why, but if you watch this the word chainsaw is split into two words. I’m not making that up.
Can you imagine the horror genre without Leatherface? Neither can I.
If you like TCM, then you should check out:
Motel Hell (1980)
This film leans more towards being campy than TCM, but you do get a creepy old butcher with his own chainsaw. You have to love a tagline like this one:
“It takes all kinds of critters to make Farmer Vincent fritters.”
House of 1000 Corpses (2003)
Rob Zombie’s directorial film debut that to me, just seems like his homage to TCM. It may not fit into the slasher genre, but worth checking out all the same.
Toolbox Murders (2004)
This remake, also directed by Tobe Hooper, is one of the few films that I will actually recommend the remake over the original. Which tool would you be the most scared of?
Now let’s move on to the film that really kicked off the slasher genre for real:
John Carpenter is one of my favorite directors & Halloween is also a personal fav of mine. Not only did Carpenter create a great film & soundtrack, he started a wave of horror villain films with the creation of Michael Myers.
If you like Halloween you should watch:
Halloween II (1981)
Thought Michael was dead? Guess again. This picks up right where the 1st film left off on the same night. Except this time, Carpenter had over 7 times the budget to work with. Are you still scared of the boogeyman?
The Fog (1980)
This was Carpenter’s film right between the 2 above Halloween films I’ve listed. It seems to get overlooked & over shadowed sometimes, but it is still one of Carpenter’s greats. Antonio Bay is celebrating it’s 100th birthday as a seaside town. Little do the townsfolk know, it has an ugly past that won’t be forgotten.
Today is Friday the 13th, I bet you can tell where I’m going with this next one….
Friday the 13th (1980)
There isn’t any need for me to say much about this film. Wait…. is that Kevin Bacon? It is!!!
If you like Friday the 13th you might try:
Sleepaway Camp (1983)
Jason may not be wrecking havoc on this summer camp, but someone else sure is. The ending of this film makes it all worth your while. I just read the trivia about this film that the director dedicated this film to his mother. Hahahahaha! That’s weird pal.
The Burning (1981)
Tom Savini worked his special effects magic in this summer camp slasher. A prank goes awry and leaves a camp caretaker badly burned. Hellbent on revenge, he is going to take it all out on the camp counselors who he feels are responsible.
What would you do if Cropsy came for you?
Writer & director Adam Green actually came up with the plot of this film at the age of 5 or 6. He made his campfire tale into this slasher film which is similar to The Burning without the whole summer camp aspect. This isn’t necessarily a fav of mine, but I think it does stand out as one of the better new horror films that bring back some of that 80′s slasher style.
I’ve now covered Michael Myers, Jason Voorhees, & even the lesser know Cropsy….. who am I forgetting?
A Nightmare on Elm Street (1984)
That’s right, Freddy Kruger from the mind of Wes Craven. My mother bought me the Freddy costume when I was in 4th grade. (Maybe a bit odd, but I loved horror films at a very young age. I wanted to be Freddy!) I wore it 3 Halloweens in row.
Whatever you do just don’t fall asleep……
If you enjoyed A Nightmare on Elm Street, try out:
The Last House on the Left (1972)
You’re right, this isn’t anything like A Nightmare on Elm Street. This is Wes Craven’s 1st film, that until the remake from a few years ago, most people had probably never even heard of. This film like most, I prefer the original.
If you like The Last House on the Left, you need to see:
I Spit on Your Grave (1978)
Running with the same style as The Last House on the Left, I Spit on Your Grave also involves some criminals picking on a girl that they left for dead. Only one problem remains for the criminals. They didn’t kill the girl & she is determined to get revenge.
How about something a bit smaller?
Child’s Play (1988)
“Hi, I’m Chucky. Wanna Play?”
I can’t talk about all these slashers & leave out this one. Dolls are creepy. I think we can all agree with that. This is probably my favorite of the evil doll horror films.
Scared of Chucky? Have you ever seen:
Stuart Gordon, director of Reanimator & From Beyond, also directed this film that is not nearly as well know as Child’s Play. Like I just said before, dolls are creepy. A group gets stranded in storm & stop by a mansion for shelter. Only later do they find out the owners have a collection of haunted little dolls.
If you need even more creepy doll movies check out all the Puppetmaster films, Demonic Toys, or other Child’s Play films.
Anyone knowledgeable in the slasher genre I hope has heard of Dario Argento. He made some great slashers in the 70′s & 80′s. Here are a few of my favorite Argento films:
Deep Red (Profondo Rosso, 1975)
One of Argento’s earlier films this remains one of my favorites of his. If you can get your hands on this try and get the full version. The first releases of this film in the US had 26 minutes cut from it, which is the 1st version I watched. I was quite disappointed. Only later did I find out that I had watched the chopped down version. I tried it again, this time watching the full version & it was well worth it. Kudos Mr. Argento.
This film is probably what Argento is most know for. It starts off with an epic kill scene & he used many different shots throughout the film with different colors of light that gives it a unique quality. The soundtrack by the band Goblin also creates a creepy atmosphere. Of all of Goblin’s work, the theme song for Suspiria is still my favorite.
In this thriller/slasher Argento continues with his unique visual style & brings back Goblin again to do the score. Argento got Goblin to do the score for most of his films in the 70′s & 80′s.
If these 3 films aren’t enough for your Argento fix, might I also recommend The Bird with the Crystal Plumage (1970) & Opera. (1987)
Here are some lesser know films also worth considering:
The Prowler (1981)
This film is directed by Joseph Zito, who would later go on to direct Friday the 13th: The Final Chapter (The 4th one with a young Corey Feldman.) This also has special effects work from Tom Savini. The film happens to be Savini’s favorite special effects work he ever did.
This takes place in a small town that hasn’t had a school dance in 35 years because of a double murder. They decide to put the past behind them & throw another dance, but then a killer wearing World War II Army fatigues goes on a rampage. (Props to Horror Banana for recommend this film to me.)
April Fool’s Day (1986)
A group of friends staying at a remote mansion over April Fool’s Day weekend begin to fall one by one. Could this all just be a an elaborate & morbid prank?
Happy Birthday to Me (1981)
Also one of the lesser know slashers from the 80′s, A girl’s friends start to be killed off one by one. Who is doing this? Or is she just insane?
Devil Times Five (aka Peopletoys, 1974)
If you are a fan of Funny Games or The Strangers, this is the film for you. Five extremely disturbed, sociopathic children escape from their psychiatric transport & wreck havoc on some adult villagers on their winter vacation. Are your doors locked?
Santa Sangre (1989)
In case any of the above films weren’t weird enough for you, look no further. This is directed by Alejandro Jodorowsky, who was probably most known for El Topo. If you aren’t familiar with Jodorowsky & you like strange films, I can vouch for this one.
As a young boy, Fenix watches his father cut off his mother’s arms. After growing up, he is reunited with his mother. She still doesn’t have arms for herself, but likes to have Fenix pretend his arms are hers & do things for her. If this film isn’t weird enough for you, you probably need serious help.
Black Christmas (1974)
Is Halloween over & you need a slasher for the winter months? This is my favorite Christmas slasher film. Probably the 1st I know of & yes there are others as twisted as that may seem to you. Have you ever gotten creepy calls on the phone? Someone making weird sounds or threats to kill you? Hopefully not, but that is exactly what starts happening to these girls in a sorority house over Christmas break.
If you were trying to pick out some movies for Halloween or find some old slasher films that were new to you, I hope my list helps you out. What are your favorites? Feel free to leave them in the comments section.
It is now September & that means the fall season is right around the corner. Football is back, school’s back in session, & the temps will soon be dropping. It also means that Halloween is right around 8 weeks away. Halloween isn’t my favorite holiday, but I have always been a huge fan of horror films. Last year I decided to start early in September & watch as many horror films as I could before Halloween. I aimed for 50 & if I recall, I ended around 48. I watched about 50% of those from my personal collection.
Of all those that I watched last Halloween season, here were my 25 favorites: (Not all of these would make my overall top 25.)
- 28 Days Later (2002)
- Alien (1979)
- American Psycho (2000)
- The Birds (1963)
- The Blair Witch Project (1999)
- Dawn of the Dead (1978)
- Don’t Look Now (1973)
- Dracula (1931)
- The Evil Dead (1981)
- Evil Dead 2 (1987)
- The Exorcist (1973)
- The Fly (1958)
- The Fog (1980)
- Halloween (1978)
- Halloween II (1981)
- The Innocents (1961)
- Night of the Living Dead (1968)
- Nosferatu (1922)
- Peeping Tom (1960)
- Repulsion (1965)
- Rosemary’s Baby (1968)
- Santa Sangre (1989)
- The Shining (1980)
- The Texas Chain Saw Massacre (1974)
- The Thing (1982)
As you can see, I prefer the “classics” or the originals instead of the remakes for the most part. [Except for The Thing (1982), one of the best remakes... hell- best movies EVER!]
What are some of your favorites or films you’d recommend I watch this year? Pretty much anything goes with me. It doesn’t matter to me if I’ve seen it before or not. Campy, slashers, thrillers, zombie flicks, witches, vampires, werewolves, gouls, ghosts, or goblins!
Plot: “A man and woman are drawn together, entangled in the life cycle of an ageless organism. Identity becomes an illusion as they struggle to assemble the loose fragments of wrecked lives.”
Writer, director, & lead actor of Upstream Color is Shane Carruth. For those unfamiliar with Carruth, you may have also missed his 2004 Sundance Film Festival Grand Jury Prize winning drama, Primer. Primer was made with a budget of less than $10k! To this day, Primer is still my favorite low budget film. It’s a film that plays out like a puzzle you can’t wait to solve. So you watch it again, & then maybe a 3rd time. Carruth’s newest film Upstream Color plays out the same way.
I watched it in theater with a couple of friends & I was mind blown…. Scanners-style. My buddies & I walked out of the theater trying to piece together the film. I never quite pieced it all together after that 1st watch. Images from the film stuck with me for days, & then for weeks. Soon after I noticed it was already streaming on Netflix. I decided to watch it again. After thinking about the film (on many occasions) & after a second viewing, I finally understand the message Carruth was making with his film. (at least I think I do)
Upstream Color plays with the cinematic beauty of Tree of Life & with the puzzling nature of Primer or a David Lynch film. Upstream Color is more obvious with symbolism than Primer but is just as captivating. If you have a Netflix streaming subscription, add this to your queue. Then watch it. Then watch it again. Solve the beautiful & emotional puzzle Carruth has created.